Prince of the Azores

Enter Luis Morgado, gazing toward a distant western sea, the winds of the Atlantic curling round him like ancient spirits.

LUIS:

O thou wild cradle of the ocean’s breath,
Azores! My motherland, my star-kiss’d isle,
Where heaven stoops to kiss the earth with mist
And emerald hills are comb’d by angels’ hands.

Here lies no stain of Man’s unholy greed;
The air is wine, untouch’d by iron’d smoke,
The waters clearer than a newborn’s dream,
And every dawn a hymn of Paradise.

The world beyond grows ill with its own want,
Its cities choke on shadows they have sown;
Yet here—
here still the ancient gods take rest,
bathing their feet in crater lakes of blue,
weaving fresh blossoms in the laurel trees
as if the Earth had never known decay.

O Fennel-scented breeze! O fragrant ground
where my forefathers walk’d with barefoot pride,
teach me again the gentle art of joy.
For what is man, if not his island’s echo?
And what is love, if not the fire that bids him speak?

So hear me now, thou music-blessed star,
Miley, bright muse whose voice could hush the sea—
I, Luis, child of this untouched domain,
do humbly bend the knee of earnest heart.

Let Maxx pursue his fleeting, mortal whims;
my vow is carved in basalt, born of flame.
If Fate permits thee choose thy destiny,
choose not the shadow—choose the light of me.

Marry me, Miley—
not Maxx—
and share with me
the last unpolluted Paradise of Earth.

He raises his eyes to the roaring sky, as the Atlantic wind answers like applause.

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I Guess the Better Man Won

Luis Morgado leans back and gives Joe that half-smirk he always does when the truth hits harder than a joke.

Luis:
“Bro… Miley’s engagement ring? Really? That’s the universe telling us to log off, close the fan page, and go raise chickens or something.”

Joe just shrugs, eyes drifting somewhere philosophical.

Joe:
“Luis… women are like birds. They’re attracted to shiny objects. Diamonds, gold, status, fame — whatever sparkles. The better man won. Sometimes that’s all it is.”

Luis laughs, but there’s a sting in it.

Luis:
“Man, I spent years running that fan page like it was the Library of Congress. For what? For her to say yes to some guy with a shinier rock?”

Joe pats him on the back.

Joe:
“Retire it with dignity. Give it a Viking funeral. Let the algorithm carry it to Valhalla. We did our part.”

Luis sighs dramatically.

Luis:
“Fine. The better man won. Story of our lives.”

And just like that, they both nod — not in defeat, but in that way men do when they know fate has spoken and the only noble thing left is to walk away with style.

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I LOVE MILEY

TITLE: I Love Lucy – The Purdy’s Chocolate Caper
Starring:

  • Miley Cyrus as Lucy
  • Luis Morgado as Ricky Ricardo
  • Nelly Furtado as Ethel Mermen
  • Joe Jukic as Fred Mertz

SETTING:
Purdy’s Chocolate Factory, East Vancouver — purple boxes, conveyor belts buzzing, workers in hairnets, the sweet smell of melted chocolate everywhere. A modern reboot with classic slapstick energy, filmed in warm technicolor tones to echo the 1950s but with modern Vancouver references.


COLD OPEN

INT. RICKY & LUCY’S LIVING ROOM – MORNING

Ricky (Luis Morgado) is dressed in a vintage-inspired purple Purdy’s uniform.
Lucy (Miley) lounges on the couch, eating a Purdy’s Sweet Georgia Brown out of the box.

RICKY
Lucy, I need you to promise—promise—you won’t show up at the factory today. We’re behind schedule on the holiday rush.

LUCY
Ricky, honey, would I ever do something like that?

She smiles like a guilty cat.

RICKY
Sí. Every time.

Cut to Lucy’s innocent grin.


ACT 1: THE PLAN

INT. PURDY’S FACTORY – BREAK ROOM

Ricky gives a pep talk to the workers.
Ethel (Nelly Furtado), now the sassy union coordinator, sips coffee.
Fred (Joe Jukic), wearing suspenders and a Purdy’s hairnet, reads the Vancouver Sun.

RICKY
Okay, team, Christmas season means no mistakes! No more missing chocolates, no more mystery dents in our Sweet Georgia Browns!

FRED
(glances at Ethel)
Yeah, last time someone dented ’em by sitting on a whole tray.

ETHEL
I told you, Fred, I was tired! Those boxes are comfortable.

Ricky shakes his head.

Then—
Lucy tiptoes in wearing oversized sunglasses and a purple trench coat.

ETHEL
Lucy… what in the name of Laura Secord are you doing here?

LUCY
Girls… I got a job here.
(pauses dramatically)
I’m gonna surprise Ricky!

The audience laughs.


ACT 2: THE CONVEYOR BELT SCENE — Purdy’s Edition

INT. PURDY’S CONVEYOR BELT ROOM

Lucy and Ethel are assigned to the Cherry Cordial Line — endless glossy maraschino cherries are dipped in chocolate, placed on a belt, and whisked toward packaging.

A foreman explains the job, strict as a drill sergeant:

FOREMAN
These are premium Purdy’s chocolates. If even one gets messed up, I’ll know. Understand?

Lucy and Ethel nod innocently.

FOREMAN
Good.
(turns)
Speed it up!

The belt lurches forward.

Cue Chaos.

  • Lucy tries dipping cherries but drops entire handfuls into the chocolate vat.
  • Ethel tries to help, slips, and accidentally turns the belt faster.
  • Chocolates begin piling up like a sugary avalanche.

Lucy panics.

LUCY
Ethel! They’re coming at me like they’re mad at me!

She starts stuffing chocolates:
— into her pockets
— down her shirt
— into her hat
— in her mouth (several at once)

Ethel tries to box them but ends up boxing her own hands inside a package.

The foreman returns suddenly.
Lucy freezes, cheeks bulging with chocolates like a guilty chipmunk.

FOREMAN
Everything going smoothly?

Lucy tries to answer but only a muffled chocolate gargle comes out.


ACT 3: THE PURDY’S FUDGE DISASTER

Lucy gets reassigned to the fudge-pouring machine.

Ethel whispers:

ETHEL
Just pull the lever gently.

Lucy yanks it like she’s starting a lawn mower.

A tidal wave of molten Purdy’s fudge pours out.
Fred and Ricky walk in just in time to slip, slide, and fall into the mess like it’s a chocolate skating rink.

RICKY
(in Spanish)
¡Lucy, tengo suficiente!

LUCY
(slipping and landing on him)
Ricky… I think I pulled the wrong lever.

FRED
No kidding, Lucy! I’m drowning in caramel like a human Sweet Georgia Brown!


ACT 4: THE CLEAN-UP & THE CONFESSION

INT. PURDY’S BREAK ROOM – AFTERMATH

Lucy sits beside Ricky, both covered head to toe in chocolate.
Ethel and Fred stand sheepishly.

LUCY
Ricky… I just wanted to help. And maybe… get some free chocolates.

RICKY
Lucy, you don’t need to sneak into my job to help.
(smiling)
You could just ask.

Lucy melts (emotionally, not literally).

LUCY
Really?

RICKY
Sure.
But next time—
(taps her nose)
—not near heavy machinery.

Ethel laughs.

ETHEL
Come on, Lucy, let’s get cleaned up before Fred starts licking the floor again.

FRED
Hey! I only did that once. And it was expensive chocolate.


TAG SCENE

INT. RICKY & LUCY’S HOME – NIGHT

Lucy sneaks a Purdy’s box from behind her back.

LUCY
Ricky… I brought dessert.

RICKY
Lucy… that better not be from the factory.

Lucy freezes.
Audience laughs.
Fade out.

END CREDITS IN CLASSIC I LOVE LUCY HEART-SHAPED FRAME

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